Tuesday, March 30, 2010

Dear

Jacob Emmanuel - April 11, 2009 - I have to make the train so we walk out together and she leaves the weird amp equipment in the closet this time. The rain has stopped and we kiss goodbye by the train. My parents ask me how my rehearsal was later. I say it was excellent. I mean really. It was the best rehearsal I could have had. They stare oddly at each other and go back to talking with my brother, who is on April break. I walk upstairs to my room and lie on my bed, mulling everything over.

You’ve called me “dear” five times and each time it’s had a profound affect on me, which is why I remember the situation surrounding every time. The first time was when we were dating – shows you don’t use the term regularly. I was giving off my first signs of paranoia concerning your friendships with other girls. “Am I not allowed to have other friends who are girls?” you asked. “I was joking,” I lied. You replied honestly, “As am I, dear.”

The next time was rather uneventful-seeming. We were making plans to meet up in the city, but we needed to sneak, as usual, around your parents. The chat appeared on my previously blank screen. “Hi dear.” It may have meant nothing to you, but that one little word meant the world to me. Throughout the months following our break-up, I forgot its impact. But that one day in December reminded me.

It was nearly 12 in the morning and I’d invited you to the city to eat with a group of our mutual friends the next evening. I asked you why you were up so late past your usual bedtime and you said you’d been chilling. I tried to ignore the climbing feeling of unease in my stomach and relaxed when the crowd seemed to have been predominantly male. However, not the same guys I’d become acquainted with during our period of dating. “I didn’t know you switched friend groups so quickly.” “Wrong assumption dear.”

For the majority of January, I thought I’d never speak to you again. I thought you were making the world a worse place. When I snapped back, I was just as surprised as you were, even more so. One Saturday night I chatted you, wondering what you’d thought of the rehearsal I’d dropped into because I was “bored.” We ended up talking about your typical “stoned” behavior at Juilliard. Finally, you admitted that you felt restricted. “I wish you didn’t,” I replied but in all honesty I was just happy you’d opened up. I shivered at your reply. “I can’t help it dear.”

I turned to Aidan soon after that, performing my almost polished stunt of shutting you out. If you knew how easily you can bring me back, with one little word even, maybe you’d lose respect for me. Or maybe you’d realize the truth, which is that I’d never gone. But I’m keeping it hidden, even labeling you as my “gay friend” if necessary.

The fifth time transformed Sadie’s Facebook status into a ground for subconscious confession. I quoted a silly yet apt mantra of yours, but apparently mixed up some phrasing. “But alas dear, I’m afraid you have misquoted.” You corrected me with your subtle insertion of the magic word. I make it a habit of running from its heavy impact or extending it too far for either of us to reach. Maybe this time, with some luck, it’ll be just right.

Sunday, March 21, 2010

Bits and Pieces Pt. 1

I go to music school every Saturday at Juilliard. I’m a composer in the Pre-College Division, which is in part, as many people call it, a moneymaker for the college. But I see it primarily as a venue for talented young musicians to hone their skills and have ample opportunity to express them. I am halfway through my fifth and final year and I can tell you it’s been quite the ride.

My involvement in the composition, cello and vocal departments adds up to a lot of welcome yet strenuous work. When placed side by side with the drama caused by my various romantic endeavors in the composition department and the presence of my dynamic and intense core group of friends, each Saturday demands a heavy load of physical and mental stamina. But for the three years preceding senior year, my weekly 12-hour, grueling, Juilliard days provided the light I needed to get through the monotonous tunnel of high school life, especially when guy were involved.

Before Aidan, I’d only ever been truly interested in composers. It started with Connor at camp. His mathematical approach to composing often made me wonder about the role of emotion in his music, but we all knew it was there. The sequences allowed him to maintain the order in his life which he values above all else. Emotion, by route, was second. But it was there.

Edward came next, also a student at our composition camp but a Juilliard composer as well. His music was tonal but effectively so. It unleashed the emotion that Edward could not express through simple conversations. I listened intently in the audience and that’s how I knew.

Jacob was atonal. And I knew that from the first day of Juilliard our junior year. He was the new kid in the room who found out quickly that he was an anomaly. We think of him as a craftsman whose goal in writing music is not to express but rather to create what sounds good. If I had realized how this philosophy applies to the bulk of his persona, I would have foreseen the outcome of our tumultuous relationship. Thankfully, for the sake of my growth, I did not.

Aidan is an anomaly. He told me recently that the extent of his compositional experience lies in the songs he formulates in the shower. “My siblings make fun of me,” he chuckled. The conversation was harmless at that point. The science notebooks were still open and he hadn’t yet begun his hour long dating-centered monologue, sprinkled with occasional, befuddled interventions by me. Unlike at Juilliard, the school hallway was quiet. We were a mere few feet from the school band room, but there were no sounds of musicians practicing in the background to add a supporting countermelody, like there had been for the starts of my other relationships. This time, I was faced with the silence and the challenge of filling it and for a natural filler of silence, this task proved less easy than it would seem.

Thursday, February 4, 2010

"Gravity" by Vienna Teng

My take on:

Gravity

I know your face
because it's been in my
head for years before I
saw you for the first
time I barely know
your name but I thought back in
time today and remembered
a conversation we had that had
fallen beneath the random
flirtations in the confines of my
memory

I know your childhood
because you told me it was
tough you were not born here and
when you were five you saw
things you should not have
seen I want to discuss this
with you again because I feel you
need to though you always
seem so
content I know you're probably not
and I wish I could reach out to
you but it might be too random at
this point in
time

I know your walk
because it's the same as ones
I've seen from men who are great
so I have the right to
assume you are equipped in a
similar way and I hope that
fate will give me an excuse
to know you like I want to or else I
have the right to assume this life
is lame which is surely
against my
will

I know your heart
without knowing you because
I know it is pure and open and it's
drawing me in like gravity if you are
indeed part of the path I have
pledged to follow I will go back in
time and find you because I don't
know you but I want you
to be
okay

Lyrics to "Gravity":

Hey love
Is that the name you're meant to have
For me to call

Look love
They've given up believing
They've turned aside our stories of the gentle fall

But don't you believe them
Don't you drink their poison too
These are the scars that words have carved
On me

Hey love
That's the name we've long held back
From the core of truth

So don't turn away now
I am turning in revolution
These are the scars that silence carved
On me

This the same place
No, not the same place
This is the same place, love
No, not the same place we've been before

Hey, love
I am a constant satellite
Of your blazing sun
My love
I obey your law of gravity
This is the fate you've carved on me
The law of gravity
This is the fate you've carved on me

Link to Music Video:

Sunday, January 31, 2010

"The Reason" by Hoobastank

I cannot talk about this directly. It is too painful. It's a feeling that burns my soul every time I start to accept its truth. But at the same time, it is a feeling that makes me feel complete - as if I am heading in the right direction. You've put on a lot of weight it's true...and your skin isn't as clear as it used to be. Yet, when our eyes meet and I see into you, you seem as beautiful as you always were. Even past the harshness of your words, you are beautiful. Even past the suppressed ridiculousness of your lies, you still are as beautiful as you were when I first met you.

I've said through my songs that I'm "Bounceable." Every time you knock me down and I swear never to speak to you again, I bounce back and learn to love you all over again. I cannot explain why and I will not. I will not make a big splash this time. There is no need. But just know that sometimes you are the sole reason I breathe, even though you have many times nearly caused me to stop breathing. Sometimes you are my sole source of direction, though you have many times caused me to lose every sense of direction I once possessed. Sometimes the look in your eyes is all I need to keep on hoping, though at times you have deprived me of all hope. Because darling, I know that you are good. I know that you are in essence the person I met at the beginning of last year. I know that you will continue to be that person and that we may only grow. And most of all, I know that you and I are not meant to end our relationship - our love - in such a manner. A year ago, exactly, you began to raise me from darkness. It is my turn to do the same for you. I do not need any other reason.

Lyrics to "The Reason":

I'm not a perfect person
There's many things I wish I didn't do
But I continue learning
I never meant to do those things to you
And so I have to say before I go
That I just want you to know

I've found out a reason for me
To change who I used to be
A reason to start over new
and the reason is you

I'm sorry that I hurt you
It's something I must live with everyday
And all the pain I put you through
I wish that I could take it all away
And be the one who catches all your tears
Thats why i need you to hear

I've found out a reason for me
To change who I used to be
A reason to start over new
and the reason is You

and the reason is You [x3]

I'm not a perfect person
I never meant to do those things to you
And so I have to say before I go
That I just want you to know

I've found out a reason for me
To change who I used to be
A reason to start over new
and the reason is you

I've found a reason to show
A side of me you didn't know
A reason for all that I do
And the reason is you

Link to Music Video:

Sunday, January 24, 2010

"If Only She Knew" by Michelle Branch

Rogan. Rogan Samuels.

Lyrics to "If Only She Knew":

I don't know whose side I'm takin'
But I'm not takin' things too well
I can see inside you're achin'
But is it still too early for me to tell?

I try to help you out through the hardest of times
Your heart is in your throat and I'm speaking my mind
Though it looks as if it's over
I'm still not over you

'Cause I still love you like I did before
I know for sure that you still feel the same way I do
If only she knew
Whoa, if only she knew, oh

I try to let it go
but I don't know if I can take it
'Cause the way you looked at me
Made me see that I can't really fake it

I try to help you out through
the hardest of times
Your heart is in your throat and I'm speaking my mind
Though it looks as if it's over
I'm still not over you

'Cause I still love you like I did before
I know for sure that you still feel the same way I do
If only she knew
Whoa

I know she loves you and I can't interfere
So I'll just have to sit back and watch my world disappear
Whoa

I try to help you out through
the hardest of times
Your heart is in your throat and I'm speaking my mind
Though it looks as if it's over
I'm still not over you
Oh, I'm still not over you

'Cause I still love you like I did before
I know for sure that you still feel the same way I do
Whoa
'Cause I will never ever walk away
I'll find a way
She could never love you like I do
If only she knew

If only she knew, oh yeah
Na na na na na na na na.

Link to Music Video:

Thursday, January 14, 2010

"Battlefield" by Jordin Sparks

Love shouldn't be a battlefield. Love should be a nice partnership between two people that stays afloat as long as it remains functional and fizzles out when it loses spark. If it's "true love", assuming you believe in that as I do, the spark will not fade - or at least it will be in a constant state of rekindling. Often, it's hard to separate relationships in which the spark never fades from relationships in which the spark never existed. But that's a different story altogether.

My relationship with Jacob transformed a small portion of my life into a battlefield. Not only were we battling unnecessarily with each other, but others around us were dragged into the flanks. Sadie placed herself defiantly in the middle, hating me for my indecision while being too immature to understand the consequences and implications of her actions. Aggie got mutilated and cut down on the side. Jacob stayed in the back ranks, watching passively as the lines before him fell. And I, I'm sporting an array of battle scars that will never entirely fade, but they will prove my strength in that I endured them.

I guess in a way, life leads you through a number of battles. Each failed relationship is a battle in which many are wounded and few are completely victorious. The question is: Is there a point when the battles stop? Is there a point where a "true love" comes in and ends the war to create a period of lasting peace? That part is up for grabs. I can't say for sure how I feel about it. A lot of being in a relationship is luck. The timing has to work. The little intricacies of each situation have to add up correctly. However, I do not feel it is necessary to settle. I don't think it's necessary to sit passively on the sidelines without feeling.

These kinds of wars are the aftermath of a spark that fizzled out too quickly - without understanding. These kinds of wars indicate the presence of a deep caring that is reluctant to be torn apart. "I did not mean to start a war." But I did. It's over now and I've reached a graver plateau of understanding. Jacob is not who he once was to me. Sadie is no longer a friend I can trust. But I with my battle scars walk on, knowing that soon I will be granted a new beginning.

Lyrics to "Battlefield":

Don't try to explain your mind
I know what's happening
One minute it's love and suddenly
It's like a battle-field
One word turns into a
Why is it the smallest things that tear us down
My world's nothing when you don't
I'm not here without a shield
Can't go back now

Both hands tied behind my back with nothing
Oh no
These times when we climb so fast to fall again
Why we gotta fall for it now

I never meant to start a war
You know I never wanna hurt you
Don't even know what we're fighting for

Why does love always feel like ...
a battlefield (battlefield)
a battlefield (battlefield)
a battlefield (battlefield)
[repeat]
Why does love always feel like

Can't swallow our pride,
Neither of us wanna raise that flag
If we can't surrender
then we both gonna lose what we had, oh no

Both hands tied behind my back with nothing
(nothing)
Oh no, these times when we climb so fast to fall again
I don't wanna fall for it now

I never meant to start a war
You know I never wanna hurt you
Don't even know what we're fighting for

Why does love always feel like ...
a battlefield (battlefield)
a battlefield (battlefield)
a battlefield (battlefield)
[repeat]

I guess you better go and get your armor
(get your armor)
Get your armor (get your armor)
I guess you better go and get your armor
(get your armor)
Get your armor (get your armor)
I guess you better go and get your

We could pretend that we are friends tonight
And in the morning we'll wake up and we'll be alright
Cause baby we don't have to fight
And I don't want this love to feel like

A battlefield (oh), a battlefield (oh), a battlefield,
Why does love always feel like a battlefield (oh),
A battlefield (oh), a battlefield

I guess you better go and get your armor
I never meant to start a war (start a war)
You know I never wanna hurt you
Don't even know what we're fighting for
(fighting, fighting for)

Why does love always feel like ...
a battlefield (battlefield)
a battlefield (battlefield)
a battlefield (battlefield)
[repeat]

I guess you better go and get your armor
(get your armor)
Get your armor (get your armor)
I guess you better go and get your armor
(get your armor)
Get your armor (get your armor)

[slowly fade]
Why does love always feel like
(whooaa ooow)
Why does love always feel like
(whooaa ooow)
A battlefield, a battlefield..

[(whooaa ooow) throughout to end]
I never meant to start a war
Don't even know what we're fighting for
I never meant to start a war
Don't even know what we're fighting for
(whooaa ooow)
[fade out]

Link to Music Video:

Tuesday, January 12, 2010

"Let Go" by Frou Frou

How long ago was it since I broke up with Jacob for the first time? The answer is: over half a year. Yes. Over half a year and I have been wallowing in it for six long wasted months when I could have been spending my emotions for a better cause. You may wonder why I am stating this fact after my consistent waffling back and forth. However, do know that I have reached a new plateau - one that I could not have reached on my own but that it is about time I have reached.

Jacob is an ass. Many of you have probably inferred that from my repeated blogs and my toxic indecision. I suspect his has Narcissistic Personality Disorder because he exhibits all the signs but because he has not been diagnosed, I am hesitant to say for sure. I broke up with him six months ago because of his inability to relate and care. Looking back after the fact, I was able to convince myself that I was at fault and that Jacob had offered enough affection. However, fooled by the discrepancy between his current coldness and the slightly better past, I was blind. After repeated refusals to open up and the slights that came hand in hand with such ordeals, I finally caved in. My friends were there to cushion my fall and I was able, after so much turmoil, to finally move on.

It does not matter the truth surrounding Jacob's current situation. He could be still in love with me. He could be "turned off" by my unparalleled excellence. He could have gotten tired of my constant urging of him to open up. Whatever the case, I am done finding people who need fixing. When guys come to me, they must be already in shape, as much so as they're going to get. Further "changing" is out of the question. I've finally realized that even if I were capable of changing a guy, it would not be my job.

After so much inner hardship that had begun whether I'd admit it or not to eat away at my insides, I can finally say that I've done the most natural and respectable thing - the only thing I hadn't tried. I listened to my six-month-ago self. I "let go."

Lyrics to "Let Go":

Drink up baby doll
Are you in or are you out?
Leave your things behind
'Cause it's all going off without you
Excuse me too busy you're writing your tragedy
These mishaps
You bubble-wrap
When you've no idea what you're like

[Chorus:]
So, let go, let go
Jump in
Oh well, what you waiting for?
It's all right
'Cause there's beauty in the breakdown
So, let go, let go
Just get in
Oh, it's so amazing here
It's all right
'cause there's beauty in the breakdown

It gains the more it gives
And then it rises with the fall
So hand me that remote
Can't you see that all that stuff's a sideshow?
Such boundless pleasure
We've no time for later
Now you can't await
your own arrival
you've twenty seconds to comply

[Chorus:]
So, let go, so let go
Jump in
Oh well, what you waiting for?
It's alright
'Cause there's beauty in the breakdown
So, let go, yeah let go
Just get in
Oh, it's so amazing here
It's all right
'Cause there's beauty in the breakdown

[Background sounds]

[Chorus:]
So, let go,
Jump in
Oh well, what you waiting for?
It's alright
'Cause there's beauty in the breakdown
So, let go, yeah let go
Just get in
Oh, it's so amazing here
It's all right
'Cause there's beauty in the breakdown

In the breakdown
'Cause there's beauty in the breakdown
The breakdown

So amazing here
'Cause there's beauty in the breakdown

Link to Music Video:

Monday, January 4, 2010

"Pale Fire" by Vladimir Nabokov

Instead of commenting on a song today, I decided to share with you an excerpt from the commentary I am doing on Nabokov's "Pale Fire." "Pale Fire" is a poem written by Nabokov taking on the alias of his own fictional character, John Shade.

This section of my commentary is an anomaly because I am successfully keeping personal anecdotes for the most part out of my analysis, even though it could be as self-geared as I wanted. However, upon seeing the world "abyss," I had no choice but to succumb.

Line 805: “And stop investigating my abyss?”

He wrote a piece once, called “Abyss.” It’s what brought us together because I played it on cello. We rehearsed, sometimes by ourselves. He thought I was beautiful. I could see it in his eyes. I’m sure I noticed that his face was flawless and that he moved with a grace unlike that of any other I’d seen. But it wasn’t until 3 months later that I bothered to let such discoveries take hold.

He told me several months later to stop investigating him. It was his life. Why was I trying to decide it for him? Why was I stomping around all self-righteous thinking I could bring him back to where we once resided, when he in a fit of shameless denial, kept insisting that he did not want to return?

We were both sinking into madness, the “abyss” that his piece had depicted so well. I wanted to stop it, because I knew it was all wrong. I knew he was honest and brave and all the qualities he was hiding from all of our views. I knew he loved me just as before and that he struggled with it alone when no one else could hear him or in his head when the world around him appeared to be focused elsewhere.

I hoped beyond belief that he would come around. After all, he was the male equivalent of me. We were fit for each other – fashioned, made and sculpted. The only forces coming between us were those of physical distance, immaturity, and simply, the different dynamics between our genders. Those are all things that can be either eliminated or accepted. But I never accepted these feelings. I kept them hidden in hopes to protect myself from the storm that would hit if I were to succumb.

Recently, I did. I did because of a coincidence, a turn of events that showed his lingering feelings and his honest nobility. I did because I knew that no matter what happens between us, we cycle back to find each other, every time in the same condition – every time powerful. I did because with six months left to live in close proximity, I had no other choice. I can only hope it will be for the best.

Friday, January 1, 2010

"The Planets Bend Between Us" by Snow Patrol

Dear Jacob,

I chose this song on a whim, just because the title popped into my head. I hadn't heard the words hardly, but when I looked them up, they fit my purpose. The words remind me of the water we first kissed by and "Slumdog Millionaire." which first brought me to you.

The reason I'm writing so to speak directly to you now and not merely about you is actually quite practical. I feel so comfortable with you and your acceptance of me that I used to pour out all my emotions, both negative and positive to you. It was as if I was always as drunk as I was last night. I had no common sense. I used you and didn't appreciate you. If I've come to any realization, it's that I need to deal with my feelings myself instead of loading them out on you. So I scream at the mirror, write angry emails to myself and when I'm more coherent, this blog, so that you may never see what I feel past the capacity of your sensitive knowledge.

I read some of the old chats I'd saved in which you were sweet and taking care of me as best you could. When you were mean and lashed out, you were protecting yourself from a fanatic moron who did not know what she was doing. I'm sure you could and should have done so with more tact, but nevertheless, your actions are ones that I cannot completely hold against you because you forgive me every time.

Last night, my "freezing speech bubbled" as the song described. I started out fine, I imagine, and you thought I was joking as usual. But of course, I had to reveal myself and you knew that everything I was saying was my subconscious speaking - deep truths that I consistently touch upon but for practicality's sake will never completely address. Later, you asked me if I was okay and told me not to worry. You told me not to be sorry.

The truth is something I could never say. I know who you are now and I want you. I want you more than I wanted you before. I want you more than I wanted Edward. It's an aching pain that feels so real - like I myself am missing something. And it's an aching pain that because of my misgivings, regardless of your buried feelings, can most likely not be overturned. Nevertheless, I will continue to hope for the rest of the school year that remains. Perhaps I cannot turn it around. But I think you can.

Happy New Year.

Lyrics to: "The Planets Bend Between Us":

The winters mar the Earth
It's floored with frozen glass
You slip into my arms
And you quickly correct yourself
Your freezing speech bubbles
Seem to hold your words aloft
I want the smoky clouds of laughter
To swim about me forever more

I will race you to the waterside
And from the edge of Ireland shout out loud
So they could hear it in America
It's all for you

The shells crack under our shoes
Like punctuation points
The planets bend between us
A hundred million suns and stars
The sea filled in this silence
Before you sank those words
And now even in the darkness
I can see how happy you are

I will race you to the waterside
And from the edge of Ireland shout out loud
So they could hear it in a America
It's all for you

It's all for you [x5]

Link to Music Video: